<?xml version="1.0" encoding="UTF-8"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-10-19T01:18:09Z</responseDate><request verb="GetRecord" identifier="oai:ebyu-rdlopen.rawdatalibrary.net:ebyu/16262" metadataPrefix="oai_dc">https://ebyu-rdlopen.rawdatalibrary.net/oai/request</request><GetRecord><record><header><identifier>oai:ebyu-rdlopen.rawdatalibrary.net:ebyu/16262</identifier><datestamp>2026-10-18T20:49:51Z</datestamp><setSpec>openaire</setSpec><setSpec>driver</setSpec><setSpec>com_ebyu_10000</setSpec><setSpec>col_ebyu_10001</setSpec></header><metadata><oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:title>Intertextuality as a Poetic Rewriting Strategy in Pelin Batu's Self-Translated Poems</dc:title><dc:creator>Abdal, Goksenin</dc:creator><dc:subject>Pelin Batu</dc:subject><dc:subject>G &amp; eacute</dc:subject><dc:subject>rard Genette</dc:subject><dc:subject>intertextuality</dc:subject><dc:subject>self-translation</dc:subject><dc:subject>modern Turkish poetry</dc:subject><dc:subject>Humanities, Multidisciplinary</dc:subject><dc:subject>Arts &amp; Humanities - Other Topics</dc:subject><dc:description>Intertextual elements contribute to increasing the depth of meaning in literary texts through their associations with present and past texts produced by different authors in the literary world. In G &amp; eacute;rard Genette's terms, they bring together a palimpsest writing, entailing references that are either highlighted or unwittingly removed from literary texts. This study aims to demonstrate how Genette's concept of intertextuality is reflected in Pelin Batu's self-translated poems with examples from The Book of Winds / R &amp; uuml;zgarlar Kitab &amp; imath; (2009), The Divan of Lost Things / Kay &amp; imath;p &amp; Scedil;eyler Divan &amp; imath; (2015) and It All Began with a Story / Her &amp; Scedil;ey Bir Hikaye ile Ba &amp; scedil;lad &amp; imath; (2018). This study comprises three parts. The first part discusses Genette's approach to intertextuality in depth, while the second part focuses on the debates regarding translation, self-translation, and intertextuality in translation studies. The third part tries to show how intertextuality has turned into a poetic rewriting strategy in Pelin Batu's aforementioned works. In conclusion, it has been determined that Pelin Batu, as a Turkish poet, enriches her poems through intertextuality as a rewriting strategy with quotations, allusions and borrowing from various figures of literature, visual arts, art history, philosophy, and science.</dc:description><dc:publisher>SELCUK UNIV, FAC LETTERS</dc:publisher><dc:date>2024</dc:date><dc:type>Article</dc:type><dc:identifier>https://rdlopen.rawdatalibrary.net/r/ebyu/16262</dc:identifier><dc:identifier>https://doi.org/10.21497/sefad.1344502</dc:identifier><dc:identifier>1300-4921</dc:identifier><dc:language>en</dc:language><dc:relation>SELCUK UNIVERSITESI EDEBIYAT FAKULTESI DERGISI-SELCUK UNIVERSITY JOURNAL OF FACULTY OF LETTERS</dc:relation><dc:rights>info:eu-repo/semantics/openAccess</dc:rights><dc:type>info:eu-repo/semantics/article</dc:type><dc:identifier>https://ebyu-rdlopen.rawdatalibrary.net/tr/items/ebyu/16262</dc:identifier></oai_dc:dc></metadata></record></GetRecord></OAI-PMH>