Negotiating Professional Identities in Music Teacher Education: A Triadic Model of Educator, Musician, and Researcher Roles

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Özet

This study examines how academics teaching instrumental and vocal courses in higher music education construct and negotiate their professional identities at the intersection of musician, educator, and researcher roles. While previous research has largely focused on dual-role identity configurations, this study presents a triadic conceptualization of professional identity. Adopting a phenomenological approach, the study is based on semi-structured interviews with 20 academics working in music education departments at universities in Turkey. Data were analyzed using an expanded Colaizzi phenomenological framework. During the interpretive synthesis of the findings, a/r/tography informed the conceptualization of professional identity as a relational process of becoming. The findings reveal that these three identity domains are both mutually reinforcing and in tension. While teaching practices stimulate research production and musical performance enhances pedagogical effectiveness, institutional pressures particularly publication demands, workload intensification, and administrative responsibilities create structural constraints that challenge the sustainability of all three roles simultaneously. The study contributes to the literature by offering a process-oriented and relational understanding of professional identity in performance-based academic fields. It also provides empirical insights into how academics navigate identity multiplicity under contemporary higher education conditions, highlighting the need for institutional policies that recognize and support the integration of artistic, pedagogical, and research practices. © The Author(s) 2026. This article is distributed under the terms of the Creative Commons Attribution-NonCommercial 4.0 License (https://creativecommons.org/licenses/by-nc/4.0/) which permits non-commercial use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access pages (https://us.sagepub.com/en-us/nam/open-access-at-sage).

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https://rdlopen.rawdatalibrary.net/r/ebyu/10467Resmi atıflarda kullanılan kalıcı adres
DOI
https://doi.org/10.1177/21582440261491885Yayıncı resmi DOI adresi
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AlanDeğerDil
dc.contributor.authorKösreli, Saadet
dc.date.accessioned2026-10-18T20:25:40.954097867Z
dc.date.available2026-10-18T20:25:40.954097867Z
dc.date.issued2026
dc.description.abstractThis study examines how academics teaching instrumental and vocal courses in higher music education construct and negotiate their professional identities at the intersection of musician, educator, and researcher roles. While previous research has largely focused on dual-role identity configurations, this study presents a triadic conceptualization of professional identity. Adopting a phenomenological approach, the study is based on semi-structured interviews with 20 academics working in music education departments at universities in Turkey. Data were analyzed using an expanded Colaizzi phenomenological framework. During the interpretive synthesis of the findings, a/r/tography informed the conceptualization of professional identity as a relational process of becoming. The findings reveal that these three identity domains are both mutually reinforcing and in tension. While teaching practices stimulate research production and musical performance enhances pedagogical effectiveness, institutional pressures particularly publication demands, workload intensification, and administrative responsibilities create structural constraints that challenge the sustainability of all three roles simultaneously. The study contributes to the literature by offering a process-oriented and relational understanding of professional identity in performance-based academic fields. It also provides empirical insights into how academics navigate identity multiplicity under contemporary higher education conditions, highlighting the need for institutional policies that recognize and support the integration of artistic, pedagogical, and research practices. © The Author(s) 2026. This article is distributed under the terms of the Creative Commons Attribution-NonCommercial 4.0 License (https://creativecommons.org/licenses/by-nc/4.0/) which permits non-commercial use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access pages (https://us.sagepub.com/en-us/nam/open-access-at-sage).
dc.identifier.doi10.1177/21582440261491885
dc.identifier.issn2158-2440
dc.identifier.issue3
dc.identifier.scopus2-s2.0-105051485726
dc.identifier.startpage21582440261491884
dc.identifier.urihttps://rdlopen.rawdatalibrary.net/r/ebyu/10467
dc.identifier.volume16
dc.identifier.wosWOS:001883905500001
dc.language.isoen
dc.publisherSAGE Publications Inc.
dc.relation.ispartofSAGE Open
dc.rightsinfo:eu-repo/semantics/openAccess
dc.subjectA/R/Tography
dc.subjectHigher Music Education
dc.subjectInstrumental And Vocal Educators
dc.subjectMusician-Teacher Identity
dc.subjectPhenomenology
dc.subjectProfessional Identity
dc.subjectResearcher Identity
dc.titleNegotiating Professional Identities in Music Teacher Education: A Triadic Model of Educator, Musician, and Researcher Roles
dc.typeArticle
dspace.entity.typePublication
rdl.citation.scopus0
rdl.citation.wos0
rdl.oa.statusgold
rdl.source.indexSCOPUS
rdl.source.indexWOS
rdl.wos.indexSocial Science Citation Index (SSCI)